Meet the Faculty
NATHAN YOUNG (Ballet) Originally from Little Rock, Arkansas, Nathan began his training at the age of 13 at the Arkansas Academy of Dance. He attended summer training programs such at Ballet West, Joffrey Ballet, and Long Beach Ballet. In 2013, Nathan graduated from the University of Oklahoma, where he received a Bachelor of Fine Arts in Ballet Performance. Nathan then moved to Nashville, Tennessee, dancing for the Nashville Ballet for four seasons. He is now in his sixth season with Grand Rapids Ballet. Nathan has performed in notable works by Christopher Wheeldon, Jiří Kylián, Jennifer Archibald, Trey McIntyre, Val Caniparoli, Danielle Rowe, and Yuri Possokhov.
KRISSY JOHNSON DODGE (Ballet) has been with Nashville Ballet for the past 21 years. She first joined the company in 2003 and enjoyed a decade long career where she performed numerous principal roles with the company and original works by Paul Vasterling. After retiring from the stage she then joined the NB faculty and has been working with the second company, Professional Training Division and Day Program for the past ten years. Mrs. Dodge has choreographed several original works for the Professional Division that were performed in the Contemporary Showcase. She also received her BA in Dance Performance from Point Park University in Pittsburgh, PA before joining the company back in 2003. She loves teaching and ensures her classroom is a safe place to grow, be challenged and to passionately grow artistically as well as technically.
MOLLIE SANSONE (Ballet) began her ballet training in North Carolina with Melissa Hale Coyle, Claudia Folts, Lisa Leone, Mel Tomlinson, Rebecca Massey, Patricia McBride, Jean-Pierre Bonnefoux, and Maniya Barredo. During the summers, she attended the Joffrey Midwest Workshop, the Nutmeg Ballet Conservatory, and Atlanta Ballet. Sansone’s career began with Nashville Ballet in the summer of 2004. During her nineteen-year tenure, she performed works by choreographers such as Paul Vasterling, Jirí Kylián, George Balanchine, Christopher Bruce, Salvatore Aiello, Val Caniparoli, Cathy Marston, Jennifer Archibald, Gina Patterson, Stephen Mills, Christopher Stuart, and Matthew Neenan. Her most notable lead roles include Juliet in Vasterling’s Romeo and Juliet, Lizzie in Vasterling’s Lizzie Borden, the Survivor in Mills’ Light, The Chosen One in Aiello’s Right of Spring, the Turning Girl in Balanchine’s Who Cares?, the Sugar Plum Fairy and the Dew Drop Fairy in Vasterling’s Nashville’s Nutcracker, and Mattie in Marston’s Snowblind. Sansone also performed with North Carolina’s former MOTION Dance Theater, where she danced original works choreographed by Nick Kepley, Gabrielle Lamb, and James Gregg. In 2013, she was the recipient of the Individual Artist Fellowship awarded by the Tennessee Arts Commission. She performed the role Louise in the musical Carousel with Asheville Lyric Opera, and also performed in West Side Story with Studio Tenn. Sansone has been a School of Nashville Ballet part-time faculty member since 2005. She has also taught for Nashville Ballet 2 and the main company. Sansone premiered her first original choreographic work in 2019 titled Mash the Pigeon for Nashville Ballet 2. For the main company, she has choreographed works such as Bootleg Sugar Lips, and Fortitudine, among others. She was also commissioned by Chattanooga Ballet to choreograph a new work titled Élégiaque. Since becoming the Resident Choreographer of Nashville Ballet in 2022, Sansone created an excerpt for Vasterling’s collaboration titled Anthology. She then choreographed for the short film titled Wild Swans, also produced by Vasterling. In the summer of 2023, she attended the University of North Carolina School of the Arts’ Choreographic Institute. Her most recent work with Nashville Ballet, titled Speak, premiered in their past Attitude series.
ALLISON HARDEE (Jazz) has been a member of the Nashville dance community for a decade, first as a dance minor student at Belmont University and subsequently as a freelance dancer and member of contemporary dance collectives Epiphany Dance Partners and di Mossa, both led by Lisa Valeri. In that time, Allison has sought opportunities for growth as a dancer and teacher across the United States and Canada, including participation in the Gus Giordano Dance School summer intensive and acquiring certification to teach beginner Horton technique through the Ailey School. Most recently, Allison’s curiosity and love of rhythm-generated movement took her to Decidedly Jazz Danceworks where she was part of their year-long professional training program, deepening her groove and musicality as a rooted jazz artist. Allison loves sharing her passion for dance as an instructor and choreographer. She teaches modern and jazz at Belmont University as well as ballet, tap, and modern at Rejoice School of Ballet.
ALEXANDRA (ALEX) WINER (Modern) is a Nashville based dancer, choreographer, and educator. She received her Bachelors in Dance from Franklin & Marshall College and continued on to earn her MFA from London Contemporary Dance School. Alex has faculty roles at Middle Tennessee State University and Nashville Ballet, and works as a freelance dancer and solo artist. Most recently, Alex has performed and taught with local companies PYDANCE, FALL Dance, New Dialect, Shackled Feet DANCE, Amanda Reichert, and Kindling Arts Festival. Alex has also been commissioned to choreograph for DancEast Collective, DancEast Youth Ensemble, MTSU Theatre productions, and had solos commissioned for Oz Arts Nashville’s 10th Anniversary Bash and inaugural Brave New Works Lab.
NATALYA CALDWELL (Yoga) moved to Nashville to pursue a career in music, but her primary occupation for the last 15 years has been teaching Iyengar Yoga. She earned her certification under the tutelage of Jan Campbell, Gary Jaeger, and Lois Steinberg, and is also a Certified Yoga Therapist. She believes that any activity can be infused with magic through mindfulness, and her favorite magical activities include spending time with her kids and exploring various types of movement, like figure skating and ballet.
KARI GREGG (Progressing Ballet Technique) has studied dance her entire life and the art of moving is something she constantly craves. She began her passion of dance at the age of 4 at a studio in central Indiana. Soon, she was accepted at an early age into Butler University’s early admittance program in Indianapolis to focus more on her classical ballet training. Kari continued with Butler University and received her Bachelor of Science in dance and arts administration. She also spent a summer studying with four distinguished teachers at the Rimsky-Korsakov Conservatory in St. Petersburg, Russia. Kari launched her professional dance career both domestically and abroad. She has performed in cities all across the United States including 10 years with the Radio City Rockettes. Kari recognized early on the benefits of practicing Pilates as a way of cross training for her professional dance career and took it with her throughout her travels. She was immediately drawn to the disciplined traditional method of Pilates, and thus became certified by the New York Pilates Studio® Teacher Certification Program. Her continuing education includes but is not limited to an additional certificate through the Pilates Youth Organization, ABT National Training Curriculum Certified Teacher in Pre-Primary through Level 3 and Functional Anatomy & Kinesiology for Dance Education through Harkness Center for Dance Injuries in New York City.
DANIELLA PARISOT (Progressing Ballet Technique), originally from southern Connecticut, received a Bachelor of Fine Arts in Ballet Pedagogy and Dance Performance from The Hartt School at the University of Hartford. During her formal pedagogy education, Daniella was closely mentored and studied under Stephen Pier, (Hamburg Ballet, The Royal Danish Ballet, José Limón Company, Company Wayne McGregor, the Julliard School and many more), Carol Roderick, (who was a member of the professional division faculties of Boston Ballet School, Royal Winnipeg Ballet, The HARID Conservatory, Tulsa Ballet School, The Hartt School Community Division and who credits her formal pedagogical training of former Bolshoi Ballet’s the late Jürgen Schneider and the Kirov/Mariinsky’s Gabriela Komleva). Daniella credits them, as well as her other pedagogy mentors, Hilda Morales, (American Ballet Theater, Pennsylvania Ballet/Philadelphia Ballet), and Debra Collins-Ryder (Hartford Ballet) for having a major influence on her passion and style of teaching. She was on the ballet faculty and the office administrator for the Hartt School Community Division before moving to Nashville in 2019 to work closely with the growing dance community as a freelance choreographer, dancer and teacher. While in Nashville, she has been on faculty for Harpeth Hall and currently teaches and choreographs for the Centennial Youth Ballet at the Metro Parks Dance Division. She is a certified Progressing Ballet Technique © instructor.
JASMINE DOMINIQUE (Afro-Brazilian) After graduating from Nashville School for the Arts, a passion to connect with others led Jasmine to pursue her education in the field of Psychology. In 2007 she graduated with a Bachelor of Psychology from Tennessee State University and in 2009 she graduated with a Master of Counseling Psychology from the Adler School of Professional Psychology. Though education has allotted her with the opportunity to reach diverse groups with diverse needs, Jasmine sought to incorporate more artistic principles into her professional practice. In 2012, Jasmine traveled abroad to live in Salvador Bahia, Brazil. For two years she immersed herself in the country's rich and indigenous history. Jasmine trained and studied various forms of Brazilian dance including orixa dance, samba dance and modern/contemporary dance. In 2015, she returned to her hometown Nashville, TN where she teaches and utilizes Afro-Brazilian dance as a tool to foster holistic health. Jasmine's class is an experience that is designed to be fun, but to also share the power of traditional rhythms and movement!
TANTSOVA GRUPA (Folk Dance) (Bulgarian for "dance group") is a Nashville-based musical ensemble created in 2009 to accompany the Nashville International Folk Dancers (www.nifddance.com). The band's repertoire includes village dances from Armenia, Bulgaria, France, Hungary, Israel, Macedonia, Romania, Russia, Serbia, Turkey, and Ukraine. Current musicians are Mary Lou Durham, violin; Tim Murphy, violin, accordion; Amberly Rosen, fiddle and dance teaching; Janet Epstein, recorders and dance teaching; Sam Frazee, guitar; Sara Johnson, violin; Michael Lewandowski, mandolin; Holly Tashian, upright bass; and William Wiggins, percussion.
DR. KAYLINA CRAWLEY earned a PhD in musicology at the University of Kentucky. She is originally from Vicksburg, Mississippi where she studied dance growing up. She graduated with a Master of Arts Degree from Middle Tennessee State University and summa cum laude from Fisk University with a Bachelor of Music degree in piano performance. She was a UNCF/Mellon Undergraduate Fellow, and her research topic was “Native Music: Recognizing the School of African-American Piano Composition during the 1940s.” Her research was presented at the William Grant Still Conference in November 2009. She was a co-presenter at the 2009 Tennessee Music Teachers Association State Conference in a session titled “Crossing the Stream: Teaching the Piano Music of African-American Composers.” Kaylina has presented “Black Representation in the Emperor Jones” at the American Musicological Society South Central Chapter Conference in 2016 and has written an article for the Journal of American Rootwork titled “Oh What Joy to Find Them Singing: Oral Traditions in the Bethesda Original Church of God or Sanctified Church” as well as a media review on “The Spirituals Database,” compiled by Randye Jones, in the Fall 2016 SAM Bulletin. She currently serves as the Music and Theater Supervisor for Metro Parks.
CHRISTEN HEILMAN (Acting for Dancers), a graduate of the Performing Arts School of Metropolitan Toledo, is a costume designer and performer originally from Northwest Ohio. Her expansive career includes a Bachelor’s in Musical theater and nearly 30 years of performing on stage. You may have seen her performing regionally with the Nashville Symphony, Actor’s Bridge Ensemble, Boiler Room Theater, The Roxy, and Chaffin’s Barn. Classically trained in ballet at Ballet Hispanico, Christen has gone on to dance with The Metropolitan Repertory Ballet (NYC), North American Ballet, and the Toledo Ballet. Currently, you can find her working with the young artists at Centennial Youth Ballet training the next generation of performers to be their best, courageous, kind, and joyful selves.
LINDSAY MCNEAL ISON PT, MS, OCS (Dancer Health Seminar) Physical Therapist; Clinic Director, Susan Underwood Physical Therapy; Board Certified Orthopedic Clinical Specialist; APTA Certified Advanced Clinical Instructor. Lindsay is a graduate of the University of Kentucky with a Bachelor of Science degree in Psychology, and the University of Alabama-Birmingham where she received her Master of Science in Physical Therapy. She is currently pursuing a Doctor of Health Professions Education at A.T. Still University and serves as an adjunct instructor in the Belmont University School of Physical Therapy. Lindsay’s clinical focus is on general orthopedics with an emphasis on manual therapy and performing arts medicine. She is active in treating dancers at Nashville Ballet and other middle Tennessee dance organizations including Tennessee’s Governor’s School for the Arts. Her post-graduate training includes NYU’s Harkness Center for Dance Injuries certificate program, as well as ongoing training through Michigan State University’s Manual Medicine Series and visceral manipulation through the Barral Institute. Lindsay also has experience managing pelvic floor dysfunction and women’s health issues. Lindsay enjoys reading, traveling, making music with her husband, dancing with her daughter, and attending music and dance performances. She is an avid Kentucky Wildcats basketball fan! Music and dance have always been an integral part of Lindsay’s life and she enjoys using her first-hand performance knowledge to facilitate the recovery of all of her patients.
KRISSY JOHNSON DODGE (Ballet) has been with Nashville Ballet for the past 21 years. She first joined the company in 2003 and enjoyed a decade long career where she performed numerous principal roles with the company and original works by Paul Vasterling. After retiring from the stage she then joined the NB faculty and has been working with the second company, Professional Training Division and Day Program for the past ten years. Mrs. Dodge has choreographed several original works for the Professional Division that were performed in the Contemporary Showcase. She also received her BA in Dance Performance from Point Park University in Pittsburgh, PA before joining the company back in 2003. She loves teaching and ensures her classroom is a safe place to grow, be challenged and to passionately grow artistically as well as technically.
MOLLIE SANSONE (Ballet) began her ballet training in North Carolina with Melissa Hale Coyle, Claudia Folts, Lisa Leone, Mel Tomlinson, Rebecca Massey, Patricia McBride, Jean-Pierre Bonnefoux, and Maniya Barredo. During the summers, she attended the Joffrey Midwest Workshop, the Nutmeg Ballet Conservatory, and Atlanta Ballet. Sansone’s career began with Nashville Ballet in the summer of 2004. During her nineteen-year tenure, she performed works by choreographers such as Paul Vasterling, Jirí Kylián, George Balanchine, Christopher Bruce, Salvatore Aiello, Val Caniparoli, Cathy Marston, Jennifer Archibald, Gina Patterson, Stephen Mills, Christopher Stuart, and Matthew Neenan. Her most notable lead roles include Juliet in Vasterling’s Romeo and Juliet, Lizzie in Vasterling’s Lizzie Borden, the Survivor in Mills’ Light, The Chosen One in Aiello’s Right of Spring, the Turning Girl in Balanchine’s Who Cares?, the Sugar Plum Fairy and the Dew Drop Fairy in Vasterling’s Nashville’s Nutcracker, and Mattie in Marston’s Snowblind. Sansone also performed with North Carolina’s former MOTION Dance Theater, where she danced original works choreographed by Nick Kepley, Gabrielle Lamb, and James Gregg. In 2013, she was the recipient of the Individual Artist Fellowship awarded by the Tennessee Arts Commission. She performed the role Louise in the musical Carousel with Asheville Lyric Opera, and also performed in West Side Story with Studio Tenn. Sansone has been a School of Nashville Ballet part-time faculty member since 2005. She has also taught for Nashville Ballet 2 and the main company. Sansone premiered her first original choreographic work in 2019 titled Mash the Pigeon for Nashville Ballet 2. For the main company, she has choreographed works such as Bootleg Sugar Lips, and Fortitudine, among others. She was also commissioned by Chattanooga Ballet to choreograph a new work titled Élégiaque. Since becoming the Resident Choreographer of Nashville Ballet in 2022, Sansone created an excerpt for Vasterling’s collaboration titled Anthology. She then choreographed for the short film titled Wild Swans, also produced by Vasterling. In the summer of 2023, she attended the University of North Carolina School of the Arts’ Choreographic Institute. Her most recent work with Nashville Ballet, titled Speak, premiered in their past Attitude series.
ALLISON HARDEE (Jazz) has been a member of the Nashville dance community for a decade, first as a dance minor student at Belmont University and subsequently as a freelance dancer and member of contemporary dance collectives Epiphany Dance Partners and di Mossa, both led by Lisa Valeri. In that time, Allison has sought opportunities for growth as a dancer and teacher across the United States and Canada, including participation in the Gus Giordano Dance School summer intensive and acquiring certification to teach beginner Horton technique through the Ailey School. Most recently, Allison’s curiosity and love of rhythm-generated movement took her to Decidedly Jazz Danceworks where she was part of their year-long professional training program, deepening her groove and musicality as a rooted jazz artist. Allison loves sharing her passion for dance as an instructor and choreographer. She teaches modern and jazz at Belmont University as well as ballet, tap, and modern at Rejoice School of Ballet.
ALEXANDRA (ALEX) WINER (Modern) is a Nashville based dancer, choreographer, and educator. She received her Bachelors in Dance from Franklin & Marshall College and continued on to earn her MFA from London Contemporary Dance School. Alex has faculty roles at Middle Tennessee State University and Nashville Ballet, and works as a freelance dancer and solo artist. Most recently, Alex has performed and taught with local companies PYDANCE, FALL Dance, New Dialect, Shackled Feet DANCE, Amanda Reichert, and Kindling Arts Festival. Alex has also been commissioned to choreograph for DancEast Collective, DancEast Youth Ensemble, MTSU Theatre productions, and had solos commissioned for Oz Arts Nashville’s 10th Anniversary Bash and inaugural Brave New Works Lab.
NATALYA CALDWELL (Yoga) moved to Nashville to pursue a career in music, but her primary occupation for the last 15 years has been teaching Iyengar Yoga. She earned her certification under the tutelage of Jan Campbell, Gary Jaeger, and Lois Steinberg, and is also a Certified Yoga Therapist. She believes that any activity can be infused with magic through mindfulness, and her favorite magical activities include spending time with her kids and exploring various types of movement, like figure skating and ballet.
KARI GREGG (Progressing Ballet Technique) has studied dance her entire life and the art of moving is something she constantly craves. She began her passion of dance at the age of 4 at a studio in central Indiana. Soon, she was accepted at an early age into Butler University’s early admittance program in Indianapolis to focus more on her classical ballet training. Kari continued with Butler University and received her Bachelor of Science in dance and arts administration. She also spent a summer studying with four distinguished teachers at the Rimsky-Korsakov Conservatory in St. Petersburg, Russia. Kari launched her professional dance career both domestically and abroad. She has performed in cities all across the United States including 10 years with the Radio City Rockettes. Kari recognized early on the benefits of practicing Pilates as a way of cross training for her professional dance career and took it with her throughout her travels. She was immediately drawn to the disciplined traditional method of Pilates, and thus became certified by the New York Pilates Studio® Teacher Certification Program. Her continuing education includes but is not limited to an additional certificate through the Pilates Youth Organization, ABT National Training Curriculum Certified Teacher in Pre-Primary through Level 3 and Functional Anatomy & Kinesiology for Dance Education through Harkness Center for Dance Injuries in New York City.
DANIELLA PARISOT (Progressing Ballet Technique), originally from southern Connecticut, received a Bachelor of Fine Arts in Ballet Pedagogy and Dance Performance from The Hartt School at the University of Hartford. During her formal pedagogy education, Daniella was closely mentored and studied under Stephen Pier, (Hamburg Ballet, The Royal Danish Ballet, José Limón Company, Company Wayne McGregor, the Julliard School and many more), Carol Roderick, (who was a member of the professional division faculties of Boston Ballet School, Royal Winnipeg Ballet, The HARID Conservatory, Tulsa Ballet School, The Hartt School Community Division and who credits her formal pedagogical training of former Bolshoi Ballet’s the late Jürgen Schneider and the Kirov/Mariinsky’s Gabriela Komleva). Daniella credits them, as well as her other pedagogy mentors, Hilda Morales, (American Ballet Theater, Pennsylvania Ballet/Philadelphia Ballet), and Debra Collins-Ryder (Hartford Ballet) for having a major influence on her passion and style of teaching. She was on the ballet faculty and the office administrator for the Hartt School Community Division before moving to Nashville in 2019 to work closely with the growing dance community as a freelance choreographer, dancer and teacher. While in Nashville, she has been on faculty for Harpeth Hall and currently teaches and choreographs for the Centennial Youth Ballet at the Metro Parks Dance Division. She is a certified Progressing Ballet Technique © instructor.
JASMINE DOMINIQUE (Afro-Brazilian) After graduating from Nashville School for the Arts, a passion to connect with others led Jasmine to pursue her education in the field of Psychology. In 2007 she graduated with a Bachelor of Psychology from Tennessee State University and in 2009 she graduated with a Master of Counseling Psychology from the Adler School of Professional Psychology. Though education has allotted her with the opportunity to reach diverse groups with diverse needs, Jasmine sought to incorporate more artistic principles into her professional practice. In 2012, Jasmine traveled abroad to live in Salvador Bahia, Brazil. For two years she immersed herself in the country's rich and indigenous history. Jasmine trained and studied various forms of Brazilian dance including orixa dance, samba dance and modern/contemporary dance. In 2015, she returned to her hometown Nashville, TN where she teaches and utilizes Afro-Brazilian dance as a tool to foster holistic health. Jasmine's class is an experience that is designed to be fun, but to also share the power of traditional rhythms and movement!
TANTSOVA GRUPA (Folk Dance) (Bulgarian for "dance group") is a Nashville-based musical ensemble created in 2009 to accompany the Nashville International Folk Dancers (www.nifddance.com). The band's repertoire includes village dances from Armenia, Bulgaria, France, Hungary, Israel, Macedonia, Romania, Russia, Serbia, Turkey, and Ukraine. Current musicians are Mary Lou Durham, violin; Tim Murphy, violin, accordion; Amberly Rosen, fiddle and dance teaching; Janet Epstein, recorders and dance teaching; Sam Frazee, guitar; Sara Johnson, violin; Michael Lewandowski, mandolin; Holly Tashian, upright bass; and William Wiggins, percussion.
DR. KAYLINA CRAWLEY earned a PhD in musicology at the University of Kentucky. She is originally from Vicksburg, Mississippi where she studied dance growing up. She graduated with a Master of Arts Degree from Middle Tennessee State University and summa cum laude from Fisk University with a Bachelor of Music degree in piano performance. She was a UNCF/Mellon Undergraduate Fellow, and her research topic was “Native Music: Recognizing the School of African-American Piano Composition during the 1940s.” Her research was presented at the William Grant Still Conference in November 2009. She was a co-presenter at the 2009 Tennessee Music Teachers Association State Conference in a session titled “Crossing the Stream: Teaching the Piano Music of African-American Composers.” Kaylina has presented “Black Representation in the Emperor Jones” at the American Musicological Society South Central Chapter Conference in 2016 and has written an article for the Journal of American Rootwork titled “Oh What Joy to Find Them Singing: Oral Traditions in the Bethesda Original Church of God or Sanctified Church” as well as a media review on “The Spirituals Database,” compiled by Randye Jones, in the Fall 2016 SAM Bulletin. She currently serves as the Music and Theater Supervisor for Metro Parks.
CHRISTEN HEILMAN (Acting for Dancers), a graduate of the Performing Arts School of Metropolitan Toledo, is a costume designer and performer originally from Northwest Ohio. Her expansive career includes a Bachelor’s in Musical theater and nearly 30 years of performing on stage. You may have seen her performing regionally with the Nashville Symphony, Actor’s Bridge Ensemble, Boiler Room Theater, The Roxy, and Chaffin’s Barn. Classically trained in ballet at Ballet Hispanico, Christen has gone on to dance with The Metropolitan Repertory Ballet (NYC), North American Ballet, and the Toledo Ballet. Currently, you can find her working with the young artists at Centennial Youth Ballet training the next generation of performers to be their best, courageous, kind, and joyful selves.
LINDSAY MCNEAL ISON PT, MS, OCS (Dancer Health Seminar) Physical Therapist; Clinic Director, Susan Underwood Physical Therapy; Board Certified Orthopedic Clinical Specialist; APTA Certified Advanced Clinical Instructor. Lindsay is a graduate of the University of Kentucky with a Bachelor of Science degree in Psychology, and the University of Alabama-Birmingham where she received her Master of Science in Physical Therapy. She is currently pursuing a Doctor of Health Professions Education at A.T. Still University and serves as an adjunct instructor in the Belmont University School of Physical Therapy. Lindsay’s clinical focus is on general orthopedics with an emphasis on manual therapy and performing arts medicine. She is active in treating dancers at Nashville Ballet and other middle Tennessee dance organizations including Tennessee’s Governor’s School for the Arts. Her post-graduate training includes NYU’s Harkness Center for Dance Injuries certificate program, as well as ongoing training through Michigan State University’s Manual Medicine Series and visceral manipulation through the Barral Institute. Lindsay also has experience managing pelvic floor dysfunction and women’s health issues. Lindsay enjoys reading, traveling, making music with her husband, dancing with her daughter, and attending music and dance performances. She is an avid Kentucky Wildcats basketball fan! Music and dance have always been an integral part of Lindsay’s life and she enjoys using her first-hand performance knowledge to facilitate the recovery of all of her patients.
